The Photographer
Awakens
Photography for him started when he was around ten, with his father's Canon PowerShot S5 IS and pheasants in their backyard. That camera never really left his hands - eventually graduating to an EOS 5D Mark III, still borrowed. Growing up with Canon shaped the way he shoots, and it's the reason he's stayed in the ecosystem ever since.
When lockdown lifted in 2020, the streets of Budapest became the new frontier. Street photography suits the way he sees things. There's always something worth capturing if you're paying attention - the city doesn't stop moving, and neither do the moments worth keeping.
What draws him to it is the challenge of making something extraordinary from what everyone else walks straight past. A composition that shouldn't quite work but does. Motion rendered in a way that feels different from what you'd expect. Something completely ordinary that stops feeling that way the moment you frame it right.
Cars were always part of his life. Before any of the events or accreditations, it was just reaching for the camera whenever something interesting rolled past on the street. Motorsport came in 2021, and it felt like the obvious direction. What started with drift events in Hungary eventually expanded into circuit racing, car meets, and prestigious automotive gatherings such as the Concorso d'Eleganza Villa d'Este in 2026 - all attended as an accredited official photographer.
From mid-2025 he's been covering Drift Masters as an official photographer - one of the top-level drift championships on the continent - shooting for Kevin Piskolty and his team. Larry Chen has been a big influence on how he approaches automotive photography, someone whose work blurs the line between documentation and art, and getting to meet him at the 2025 Drift Masters final in Warsaw was genuinely one of those moments.
In 2023 he joined the BMW ecosystem in the financial field as his main career - a world that overlaps directly with what he shoots, and has opened up real opportunities because of it.
In 2024 he started going to races with RSM Hungary Sail Racing Team on Lake Balaton, which turned out to share more with motorsport photography than you'd think: the same need to read the action before it happens, the same split-second decisions. It also pushed him to try himself out on bigger waters, and the Adriatic became the next step.
That same year he bought his first own setup - the Canon EOS R5 Mark II, along with a full transition from the EF to the RF ecosystem - after years of shooting on his father's gear.
The equipment matters, but it always comes second to just being out there - on the track, on the streets of Budapest, or anywhere else around the globe with a camera. It's been a remarkable journey so far - one that's taken him to places and events he never imagined he'd get to, and introduced him to people he genuinely wouldn't have met any other way. He has no idea where photography will take him next, but he already loves the journey.
